𝐻𝒜𝒫𝒫𝒴 𝐻𝐸𝒜𝑅𝒯𝒮 𝒮𝒯𝒜𝐹𝐹 (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
happyheartsstaff) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
angryhearts2020-10-12 12:31 am
happyheartsstaff) wrote in angryhearts2020-10-12 12:31 am
NOW DON'T CLOSE YOUR EYES —
HARVEST FESTIVAL
10/01 - 10/23
The sun rises early in the garden, the air cool and crisp. Gentle breezes occasionally stir up fallen leaves of orange and red. The sun never heats the day enough for it to become warm despite shining until late in the afternoon, creating perfect sweater weather. Hotel staff are stationed out in the garden to provide ladders and baskets for apple picking, instructions on how to operate the hand cranked presses for cider, ingredients and recipes for cobbler and tarts cooked over the fire. Long tables are set up by the pumpkin patch in between the festive scarecrows, lined with paints and carving tools.
As the sun sets, more bonfires are lit while small, twinkling lights appear in the trees. Cider made during the day is heated over the fire, along with hot chocolate, hot dogs and marshmallows for s'mores. Blankets appear folded neatly in baskets by the fires, and there always seems to be a storyteller near by willing to spin tales of ghosts and goblins.
The longer Oysters spend in the garden, the more hints they may pick up that all is not as idyllic as it seems. The scarecrows seem to grow more numerous every day, spreading from the pumpkin patch to the rest of the garden. Asute Oysters may notice that some of the scarecrows seem somehow familiar. Is that one wearing the same clothes as a family member? Does another have the eyes of a former lover, the facial features of a long dead enemy? None will be exact replicas, they are after all only made of straw, but the resemblance will be undeniable. Now that it has been noticed, Oysters will begin to see the scarecrow all over the garden, and will hear indecipherable whispers that are also all too familiar.
The scarecrows can be demolished, should any Oysters have a particular tendency towards violence. Their faces will twist into expressions of horror at any scarecrow destruction, mouths open in silent screams. They will be back in the garden the next day as though nothing happened. Those Oysters who choose fire as their method of destruction will find a much different reaction — these scarecrows will scream in the voice of the person they bear resemblance to until they are reduced to ash. They will not return the next day.
Determined Oysters who tire of the garden, or who maybe wish to test their luck at escaping, can find the entrance to the hedge maze that borders the entire garden. Hotel staff will warn against it, of course, but it can still be entered. No matter what time of day it is in the garden, it will be night in the hedge maze, with no lanterns to guide the way. The entrance back to the garden will glow warm and bright for only a few moments after stepping inside, and will then disappear entirely.
It seems there is no way to go but forward.
The deeper into the maze, the darker it gets, as though even the moon and stars are growing dim. Oysters may catch sounds of soft breathing in the night, and may even observe that the hedge wall itself seems to sway as though something just beyond it — or in it — is moving. Those who enter the maze will find themselves wandering for what feels like hours, days. Does that turn look familiar? Have you been down this way before? Who can tell, when nothing about the maze ever seems to change.
Eventually, Oysters will find that they have been lead back to the garden, exhausted and hungry, though no time at all has passed for everyone else.
As the sun sets, more bonfires are lit while small, twinkling lights appear in the trees. Cider made during the day is heated over the fire, along with hot chocolate, hot dogs and marshmallows for s'mores. Blankets appear folded neatly in baskets by the fires, and there always seems to be a storyteller near by willing to spin tales of ghosts and goblins.
The longer Oysters spend in the garden, the more hints they may pick up that all is not as idyllic as it seems. The scarecrows seem to grow more numerous every day, spreading from the pumpkin patch to the rest of the garden. Asute Oysters may notice that some of the scarecrows seem somehow familiar. Is that one wearing the same clothes as a family member? Does another have the eyes of a former lover, the facial features of a long dead enemy? None will be exact replicas, they are after all only made of straw, but the resemblance will be undeniable. Now that it has been noticed, Oysters will begin to see the scarecrow all over the garden, and will hear indecipherable whispers that are also all too familiar.
The scarecrows can be demolished, should any Oysters have a particular tendency towards violence. Their faces will twist into expressions of horror at any scarecrow destruction, mouths open in silent screams. They will be back in the garden the next day as though nothing happened. Those Oysters who choose fire as their method of destruction will find a much different reaction — these scarecrows will scream in the voice of the person they bear resemblance to until they are reduced to ash. They will not return the next day.
Determined Oysters who tire of the garden, or who maybe wish to test their luck at escaping, can find the entrance to the hedge maze that borders the entire garden. Hotel staff will warn against it, of course, but it can still be entered. No matter what time of day it is in the garden, it will be night in the hedge maze, with no lanterns to guide the way. The entrance back to the garden will glow warm and bright for only a few moments after stepping inside, and will then disappear entirely.
It seems there is no way to go but forward.
The deeper into the maze, the darker it gets, as though even the moon and stars are growing dim. Oysters may catch sounds of soft breathing in the night, and may even observe that the hedge wall itself seems to sway as though something just beyond it — or in it — is moving. Those who enter the maze will find themselves wandering for what feels like hours, days. Does that turn look familiar? Have you been down this way before? Who can tell, when nothing about the maze ever seems to change.
Eventually, Oysters will find that they have been lead back to the garden, exhausted and hungry, though no time at all has passed for everyone else.
THEY FOLLOW
10/23 - 10/30
At the end of the third week of October, the garden will no longer be accessible. The entrance to where it once was will simply be gone.
"Why would it be there?" hotel staff will ask if questioned about it. "The festival is over."
But it seems not everything in the garden wanted to stay there.
The scarecrows will begin to appear inside the hotel itself. At first it is in public areas, always just out of reach, voices faint and distant. They being to grow closer as the month winds down, voices growing louder, until eventually Oysters may find them in their bedrooms, hiding in their closets or showers. Their voices are curses now, death threats and words of warning filling the air despite that their lips never move.
It becomes apparent that there is something moving outside the hotel windows, where before there had only been twilight looming over the lake and forest, and the skyscrapers in the distance. Whatever it is that lurks outside is too quick to be seen out of anything but the corner of one's eye, a creature made of shadows. Before long, it will no longer be movement outside that may catch Oysters' eyes, but something in the corners of their room. The breathing heard once in the hedge maze will now follow Oysters, sometimes right behind them, sometimes just out of arms' reach. Always, there is the ever present looming feeling of eyes staring at you from behind.
Oysters may notice that they don't seem to be the only ones effected. Hotel staff are more tense than ever, paranoid and afraid, constantly looking over their shoulder.
"You let it out!" a hotel staff may shout, unprompted.
None will answer questions if pressed further.
"Why should we? We told you not to. You never listen to us."
"Why would it be there?" hotel staff will ask if questioned about it. "The festival is over."
But it seems not everything in the garden wanted to stay there.
The scarecrows will begin to appear inside the hotel itself. At first it is in public areas, always just out of reach, voices faint and distant. They being to grow closer as the month winds down, voices growing louder, until eventually Oysters may find them in their bedrooms, hiding in their closets or showers. Their voices are curses now, death threats and words of warning filling the air despite that their lips never move.
It becomes apparent that there is something moving outside the hotel windows, where before there had only been twilight looming over the lake and forest, and the skyscrapers in the distance. Whatever it is that lurks outside is too quick to be seen out of anything but the corner of one's eye, a creature made of shadows. Before long, it will no longer be movement outside that may catch Oysters' eyes, but something in the corners of their room. The breathing heard once in the hedge maze will now follow Oysters, sometimes right behind them, sometimes just out of arms' reach. Always, there is the ever present looming feeling of eyes staring at you from behind.
Oysters may notice that they don't seem to be the only ones effected. Hotel staff are more tense than ever, paranoid and afraid, constantly looking over their shoulder.
"You let it out!" a hotel staff may shout, unprompted.
None will answer questions if pressed further.
"Why should we? We told you not to. You never listen to us."
HAPPY HALLOWEEN
10/31
On the morning of Halloween, the movement of the shadows stops. The scarecrows are no where to be found, their disembodied voices silent. The oppressive feeling of surveillance seems to have lifted, and even the hotel staff seem to be in better moods.
A ballroom has opened up off of the hotel lobby, decorated for the Halloween party that is announced to be later that day. There are stations set up for karaoke, pumpkin carvings, bobbing for apples, piñatas, and a stage being laid for dancing and a costume contest at the end of the night.
Many of the hotel staff are already in costumes, and will encourage Oysters to select one from This Elegant Thimble for themselves.
The first part of the party goes off without a hitch, but as it gets later, the lights begin to flicker. Or maybe it's the shadows themselves that begin to shift and waver, coiling in on themselves and coming alive. Screams come from the hotel staff at the party before the shadows have finished solidifying, and they retreat to barricade themselves in a staff only area as some of the shadows break off to chase them.
The majority turn their focus on the Oysters. The shadows move as one at first but quickly begin to take on an individuality. All have wickedly curved claws and a mouth of sharp teeth, but their fighting styles slowly start to diversify as they take more solid form. Their features become more unique, and they develop voices — the same voices once connected with the scarecrows. Oysters will quickly find themselves facing off against shades of the people they know, and these shades are not afraid to play dirty and pretend to be the people they look like.
A ballroom has opened up off of the hotel lobby, decorated for the Halloween party that is announced to be later that day. There are stations set up for karaoke, pumpkin carvings, bobbing for apples, piñatas, and a stage being laid for dancing and a costume contest at the end of the night.
Many of the hotel staff are already in costumes, and will encourage Oysters to select one from This Elegant Thimble for themselves.
The first part of the party goes off without a hitch, but as it gets later, the lights begin to flicker. Or maybe it's the shadows themselves that begin to shift and waver, coiling in on themselves and coming alive. Screams come from the hotel staff at the party before the shadows have finished solidifying, and they retreat to barricade themselves in a staff only area as some of the shadows break off to chase them.
The majority turn their focus on the Oysters. The shadows move as one at first but quickly begin to take on an individuality. All have wickedly curved claws and a mouth of sharp teeth, but their fighting styles slowly start to diversify as they take more solid form. Their features become more unique, and they develop voices — the same voices once connected with the scarecrows. Oysters will quickly find themselves facing off against shades of the people they know, and these shades are not afraid to play dirty and pretend to be the people they look like.
If you have any questions, please leave them over here! Like the scarecrows, the shades can be destroyed with fire. The monster will retreat from the hotel back into the hedge maze once many of its shades have been destroyed.
© tessisamess
the maze
[ He tries to run after her but if anyone's seen him run, they'd wonder how he manages not to trip over air. ]
Wait right there! Stop! Ah!
no subject
...She's still going. Almost there, in fact!
Shepard steps between the hedgerows. Will Aziraphale actually take a few steps more, put himself into the shadow of the maze itself, to pull someone back?]
no subject
Ah yes! Please listen! This is... quite urgent!!
[ KIDS THESE DAYS! ]
no subject
Oh, uh... [She still sounds a little distracted.] Uh... Aziraphale?
[Everyone here has weird names and she's tired.]
You need something?
no subject
Coming with me?
[ She doesn't seem in the right frame of mind, which means that he'd like to get her away from here. ]
no subject
...Why.
no subject
no subject
I don't know you. Why are you asking me to help you with this 'private matter'.
[Not that it's never happened before, but back then there was a celebrity status of Commander Shepard for a good reason to be needed. This guy? Not so easy.]
no subject
Don't have many friends?
[ That generally works, as an excuse.
But he's very sus, all the time. ]
no subject
[She looks around, first to the left, then the right, then directly behind her, which is now the direction of the maze, entrance only a few tempting feet hence.]
We're alone here. What d'you need?