𝐻𝒜𝒫𝒫𝒴 𝐻𝐸𝒜𝑅𝒯𝒮 𝒮𝒯𝒜𝐹𝐹 (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
happyheartsstaff) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
angryhearts2020-10-12 12:31 am
happyheartsstaff) wrote in angryhearts2020-10-12 12:31 am
NOW DON'T CLOSE YOUR EYES —
HARVEST FESTIVAL
10/01 - 10/23
The sun rises early in the garden, the air cool and crisp. Gentle breezes occasionally stir up fallen leaves of orange and red. The sun never heats the day enough for it to become warm despite shining until late in the afternoon, creating perfect sweater weather. Hotel staff are stationed out in the garden to provide ladders and baskets for apple picking, instructions on how to operate the hand cranked presses for cider, ingredients and recipes for cobbler and tarts cooked over the fire. Long tables are set up by the pumpkin patch in between the festive scarecrows, lined with paints and carving tools.
As the sun sets, more bonfires are lit while small, twinkling lights appear in the trees. Cider made during the day is heated over the fire, along with hot chocolate, hot dogs and marshmallows for s'mores. Blankets appear folded neatly in baskets by the fires, and there always seems to be a storyteller near by willing to spin tales of ghosts and goblins.
The longer Oysters spend in the garden, the more hints they may pick up that all is not as idyllic as it seems. The scarecrows seem to grow more numerous every day, spreading from the pumpkin patch to the rest of the garden. Asute Oysters may notice that some of the scarecrows seem somehow familiar. Is that one wearing the same clothes as a family member? Does another have the eyes of a former lover, the facial features of a long dead enemy? None will be exact replicas, they are after all only made of straw, but the resemblance will be undeniable. Now that it has been noticed, Oysters will begin to see the scarecrow all over the garden, and will hear indecipherable whispers that are also all too familiar.
The scarecrows can be demolished, should any Oysters have a particular tendency towards violence. Their faces will twist into expressions of horror at any scarecrow destruction, mouths open in silent screams. They will be back in the garden the next day as though nothing happened. Those Oysters who choose fire as their method of destruction will find a much different reaction — these scarecrows will scream in the voice of the person they bear resemblance to until they are reduced to ash. They will not return the next day.
Determined Oysters who tire of the garden, or who maybe wish to test their luck at escaping, can find the entrance to the hedge maze that borders the entire garden. Hotel staff will warn against it, of course, but it can still be entered. No matter what time of day it is in the garden, it will be night in the hedge maze, with no lanterns to guide the way. The entrance back to the garden will glow warm and bright for only a few moments after stepping inside, and will then disappear entirely.
It seems there is no way to go but forward.
The deeper into the maze, the darker it gets, as though even the moon and stars are growing dim. Oysters may catch sounds of soft breathing in the night, and may even observe that the hedge wall itself seems to sway as though something just beyond it — or in it — is moving. Those who enter the maze will find themselves wandering for what feels like hours, days. Does that turn look familiar? Have you been down this way before? Who can tell, when nothing about the maze ever seems to change.
Eventually, Oysters will find that they have been lead back to the garden, exhausted and hungry, though no time at all has passed for everyone else.
As the sun sets, more bonfires are lit while small, twinkling lights appear in the trees. Cider made during the day is heated over the fire, along with hot chocolate, hot dogs and marshmallows for s'mores. Blankets appear folded neatly in baskets by the fires, and there always seems to be a storyteller near by willing to spin tales of ghosts and goblins.
The longer Oysters spend in the garden, the more hints they may pick up that all is not as idyllic as it seems. The scarecrows seem to grow more numerous every day, spreading from the pumpkin patch to the rest of the garden. Asute Oysters may notice that some of the scarecrows seem somehow familiar. Is that one wearing the same clothes as a family member? Does another have the eyes of a former lover, the facial features of a long dead enemy? None will be exact replicas, they are after all only made of straw, but the resemblance will be undeniable. Now that it has been noticed, Oysters will begin to see the scarecrow all over the garden, and will hear indecipherable whispers that are also all too familiar.
The scarecrows can be demolished, should any Oysters have a particular tendency towards violence. Their faces will twist into expressions of horror at any scarecrow destruction, mouths open in silent screams. They will be back in the garden the next day as though nothing happened. Those Oysters who choose fire as their method of destruction will find a much different reaction — these scarecrows will scream in the voice of the person they bear resemblance to until they are reduced to ash. They will not return the next day.
Determined Oysters who tire of the garden, or who maybe wish to test their luck at escaping, can find the entrance to the hedge maze that borders the entire garden. Hotel staff will warn against it, of course, but it can still be entered. No matter what time of day it is in the garden, it will be night in the hedge maze, with no lanterns to guide the way. The entrance back to the garden will glow warm and bright for only a few moments after stepping inside, and will then disappear entirely.
It seems there is no way to go but forward.
The deeper into the maze, the darker it gets, as though even the moon and stars are growing dim. Oysters may catch sounds of soft breathing in the night, and may even observe that the hedge wall itself seems to sway as though something just beyond it — or in it — is moving. Those who enter the maze will find themselves wandering for what feels like hours, days. Does that turn look familiar? Have you been down this way before? Who can tell, when nothing about the maze ever seems to change.
Eventually, Oysters will find that they have been lead back to the garden, exhausted and hungry, though no time at all has passed for everyone else.
THEY FOLLOW
10/23 - 10/30
At the end of the third week of October, the garden will no longer be accessible. The entrance to where it once was will simply be gone.
"Why would it be there?" hotel staff will ask if questioned about it. "The festival is over."
But it seems not everything in the garden wanted to stay there.
The scarecrows will begin to appear inside the hotel itself. At first it is in public areas, always just out of reach, voices faint and distant. They being to grow closer as the month winds down, voices growing louder, until eventually Oysters may find them in their bedrooms, hiding in their closets or showers. Their voices are curses now, death threats and words of warning filling the air despite that their lips never move.
It becomes apparent that there is something moving outside the hotel windows, where before there had only been twilight looming over the lake and forest, and the skyscrapers in the distance. Whatever it is that lurks outside is too quick to be seen out of anything but the corner of one's eye, a creature made of shadows. Before long, it will no longer be movement outside that may catch Oysters' eyes, but something in the corners of their room. The breathing heard once in the hedge maze will now follow Oysters, sometimes right behind them, sometimes just out of arms' reach. Always, there is the ever present looming feeling of eyes staring at you from behind.
Oysters may notice that they don't seem to be the only ones effected. Hotel staff are more tense than ever, paranoid and afraid, constantly looking over their shoulder.
"You let it out!" a hotel staff may shout, unprompted.
None will answer questions if pressed further.
"Why should we? We told you not to. You never listen to us."
"Why would it be there?" hotel staff will ask if questioned about it. "The festival is over."
But it seems not everything in the garden wanted to stay there.
The scarecrows will begin to appear inside the hotel itself. At first it is in public areas, always just out of reach, voices faint and distant. They being to grow closer as the month winds down, voices growing louder, until eventually Oysters may find them in their bedrooms, hiding in their closets or showers. Their voices are curses now, death threats and words of warning filling the air despite that their lips never move.
It becomes apparent that there is something moving outside the hotel windows, where before there had only been twilight looming over the lake and forest, and the skyscrapers in the distance. Whatever it is that lurks outside is too quick to be seen out of anything but the corner of one's eye, a creature made of shadows. Before long, it will no longer be movement outside that may catch Oysters' eyes, but something in the corners of their room. The breathing heard once in the hedge maze will now follow Oysters, sometimes right behind them, sometimes just out of arms' reach. Always, there is the ever present looming feeling of eyes staring at you from behind.
Oysters may notice that they don't seem to be the only ones effected. Hotel staff are more tense than ever, paranoid and afraid, constantly looking over their shoulder.
"You let it out!" a hotel staff may shout, unprompted.
None will answer questions if pressed further.
"Why should we? We told you not to. You never listen to us."
HAPPY HALLOWEEN
10/31
On the morning of Halloween, the movement of the shadows stops. The scarecrows are no where to be found, their disembodied voices silent. The oppressive feeling of surveillance seems to have lifted, and even the hotel staff seem to be in better moods.
A ballroom has opened up off of the hotel lobby, decorated for the Halloween party that is announced to be later that day. There are stations set up for karaoke, pumpkin carvings, bobbing for apples, piñatas, and a stage being laid for dancing and a costume contest at the end of the night.
Many of the hotel staff are already in costumes, and will encourage Oysters to select one from This Elegant Thimble for themselves.
The first part of the party goes off without a hitch, but as it gets later, the lights begin to flicker. Or maybe it's the shadows themselves that begin to shift and waver, coiling in on themselves and coming alive. Screams come from the hotel staff at the party before the shadows have finished solidifying, and they retreat to barricade themselves in a staff only area as some of the shadows break off to chase them.
The majority turn their focus on the Oysters. The shadows move as one at first but quickly begin to take on an individuality. All have wickedly curved claws and a mouth of sharp teeth, but their fighting styles slowly start to diversify as they take more solid form. Their features become more unique, and they develop voices — the same voices once connected with the scarecrows. Oysters will quickly find themselves facing off against shades of the people they know, and these shades are not afraid to play dirty and pretend to be the people they look like.
A ballroom has opened up off of the hotel lobby, decorated for the Halloween party that is announced to be later that day. There are stations set up for karaoke, pumpkin carvings, bobbing for apples, piñatas, and a stage being laid for dancing and a costume contest at the end of the night.
Many of the hotel staff are already in costumes, and will encourage Oysters to select one from This Elegant Thimble for themselves.
The first part of the party goes off without a hitch, but as it gets later, the lights begin to flicker. Or maybe it's the shadows themselves that begin to shift and waver, coiling in on themselves and coming alive. Screams come from the hotel staff at the party before the shadows have finished solidifying, and they retreat to barricade themselves in a staff only area as some of the shadows break off to chase them.
The majority turn their focus on the Oysters. The shadows move as one at first but quickly begin to take on an individuality. All have wickedly curved claws and a mouth of sharp teeth, but their fighting styles slowly start to diversify as they take more solid form. Their features become more unique, and they develop voices — the same voices once connected with the scarecrows. Oysters will quickly find themselves facing off against shades of the people they know, and these shades are not afraid to play dirty and pretend to be the people they look like.
If you have any questions, please leave them over here! Like the scarecrows, the shades can be destroyed with fire. The monster will retreat from the hotel back into the hedge maze once many of its shades have been destroyed.
© tessisamess
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[He simply watches and observes]
It can sure be and now it's going to look like it! I'm using white paint to draw rabbits on mine. Some of my pumpkins have foxes too.
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[ It's a little funny striking up conversations without knowing what normal is to others. It could mean anything for a different world. ]
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Your pumpkin looks like a vampire, by the way. You just need white paint to draw in fangs and teeth. Shall I have you with that?
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[ Matt pauses and puts the brush down. ]
Ah yeah, good idea, that would make the fangs stand out more. If you could get the white paint...
Are you fond of animals?
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Oh, I'm very fond of animals. My husband Wei Wuxian and I, we have pets. He has a donkey, and I have a pair of rabbits and a cat.
I'll get white paint for you. [Picking up the brush, he dips into the white paint, and then puts the brush back in his hand]
This brush has white paint now, so you could paint it for fangs.
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[ Well, since he properly was in contact with a rabbit and its owner. There must be a rabbit kept as a pet somewhere in the neighborhood back home, he might be passing by without knowing.
He thanks him for taking care of the paint and checks the feel of the teeth shapes in the pumpkin before starting. ]
I live in a large, busy city. We don't have many open fields where a donkey would feel at home. Most people own dogs or cats. There are countless birds though.
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Then I have to introduce you to our animals sometime. The donkey is full of energy and the rabbits too. They help calm down stress while living here. You can let me or Wei Wuxian know if you want to visit to pet the donkey and rabbits. I have a cat too.
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[ Hold on. Matt turns toward him, giving chuckle, and points downward with a finger. ]
They're all here at the hotel? Including the donkey?
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Including the donkey. His name is Lil-apple. You just need to ask my husband Wei Wuxian, he's the owner.
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[ He trails off toward the end, realizing it might be a rude suggestion, but wondering nonetheless. They have no reason to trust the queen's judgment in animal care. ]
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In my husband's bedroom, there's a separate stall for him to live in, and just fit his size. Inside, it has a field like a little patch of grass to make it comfortable for him.
The Queen opens the door to the garden, so we let him out to graze in the garden also. Who knows how long she decides to let it open.